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The title Anadolia is a portmanteau of the words "anagram" and "pareidolia.”
Picasso claimed to capture all aspects of a sitter by showing both the front and sides of a face at once. But today, Cubist distortions can feel grotesque or diminutive, revealing a tension between artist and subject. With Campbell’s women, the psychology is different. The artist has taken semiotic cues from the past, but moved beyond its influence–instead evoking in her portraits self-expression, empathy, and radical acceptance. -
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Photo by LF Photography
Jessica Campbell: Anadolia, 2024
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